Run LV2 plugins on macOS

LV2VST x42 EQ
x42 Equalizer in Studio One 3

There’s some awesome LV2 plugins out there for Macs, like the X42 plugins. Not everyone uses an LV2 host on macOS, but many people do use VST hosts. Even though mac-compatible LV2s, especially with GUIs, are rare, it’s likely that increased user interest will generate increased developer support.

If you end up using an LV2 and enjoy it, please contact the developer and let them know that you appreciate their work!

So here’s a short tutorial on how to use lv2vst to wrap your LV2 plugins to VST!

First will be a run-down for moderately experienced users/developers. Then I’m going to assume that you are on 10.11+ and have a bare-bones installation and know basically nothing.

This is written in my typical style rather than in a documentation format. This is not documentation. This is a how-to. If you have any questions, please post them in the comments.

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A tale of amazing customer interaction - Sonimus

Sonimus EQ
StonEQ 4k

Recently Sonimus released StonEQ 4K which is an SSL 4k series EQ emulation.

I bought it.

If you read my most recent post about what I want in an EQ, you might be confused. Why did I purchase an EQ that has only what I do not want and none of the features that I do want?

Read more to find out.

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What do I want in an EQ (and some tricks!)

EQs
Small Selection of products

While doing my 30 days without Fabfilter I’ve realized just how great of an EQ that Fabfilter Pro-Q 2 really is.

I haven’t yet found anything that does everything that it does, and does it as well. Apqualizr 2 is an excellent alternative with its own unique strengths, but for every feature it has that Pro-Q 2 does… Pro-Q 2 has an equally valuable feature that Apqualizr is missing.

There’s many alternatives. Rather than go through the products themselves, I thought I’d take some time to explain exactly what I am looking for in an EQ at a high-level. I’m ignoring some more esoteric things and sticking largely to things that impact my workflow directly.

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Adam A7 switch and fuse replacement

Take it apart
A7 front panel removed

I love my Adam A7 monitors, but they have a known issue with the power switches ‘locking’ in the on or off position. This happened to me and the fuse also blew. I know this is a simple repair, but I thought I’d browse the web and see if anyone has explained how to do it. I found nothing except some somewhat poor videos on the topic.

So I’m going to walk you through the process step-by-step.

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DAW Feature Chart Update!

Chart Update
Updated!

I’ve updated the DAW Feature Chart with some big rating changes. Mixbus is finished for V4.2. I added a couple new categories as well. Reaper was lowered in some areas (oh no!).

I also updated all of the old DAW Chart posts with a link to the new version.

All of the categories/sections have links that link to an explanation of what that rating considers.

If you have any suggestions or questions about ratings, please leave a comment or e-mail me. Thank you!

Cleaning Moongels or nipple covers, and alternatives (to the moongels)

Messed up moongels
I hope your moongels never look like this, but if they do...

Moongels are awesome products for damping the resonant ringing on drums. The downside is that they are surprisingly expensive (about $2usd each pad) and drums are a dirty environment. The stickiness of them deteriorates over time and they lose their usefulness.

Recently I was cleaning my moongels, which I’ve been using for about 16 years, and I thought, “I wonder how other people do this?”. It turns out that I could find no information on that. Since I think 16 years is a pretty good run with the same set of moongels, perhaps my method is sufficient.

So in this post I’m going to help you find alternatives to Moongels and show you how to clean moongels to a like-new state so that they can be re-used time and time again.

p.s. This whole process works great on polyurethane and silocone Nipple Covers. The sort of thing women use for modesty or anyone uses to avoid chaffing. Just substitute ‘moongel’ for ‘nipple cover’ and you’re in business. It works great on both.

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Question and Answer with Fabien Schivre from Tokyo Dawn

Q&A
Discord q&a with Fabien

Recently on the EDM Production discord that I help administrate, I held a Q&A with Fabien Schivre from Tokyo Dawn. Specifically we discussed Tokyo Dawn Labs.

Click through for the whole Q&A as I’ve transcribed it.

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30 Days without Fabfilter products

Fabfilter
Fabfilter stuff

Fabfilter makes amazing products with amazing GUIs. I think every modern music producer or engineer knows this by now.

I have found myself to being too reliant on their products though, so for my next 30 days I’m going to not use any Fabfilter products. When I’m done I’ll write a post explaining why I went back to Fabfilter or why I fell in love with something else.

Currently I have some ideas of what I will replace things with, but that will grow. Read more to find out my plans, and comment if you have any awesome suggestions!

Check out the conclusion here after reading this post!

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Gainstaging for the modern musician

VUMT
VUMT Deluxe, VU Meter

Gain staging. It’s a popular phrase now. It was a popular phrase before, but it is now too. There was a short period in the late 80s, 90s and early 00’s where, as digital tookover, people forgot it was a thing.

Now we have a whole generation of musically-inclined people that are learning to work entirely digitally, and the necessity of gain staging has slipped by their grasp. It used to be an obvious skill, but now the benefits are a matter of workflow rather than a matter of basic operation.

I get asked about gain staging all the time, and while I generally try to avoid writing about things that are already explained elsewhere, I am going to tackle this one. Why? Because there’s one aspect of gain staging that matters to everyone, and almost nobody discusses it.

CONTROL CONTROL CONTROL CONTROL CONTROL CONTROL CONTROL

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30 Days with Ardour, again. Version 5.12

Ardour v2
Ardour, using the 'Cubasish' colour theme

If you follow this blog then you’d know that I’ve been reviewing mixbus for “30 days” (more like 2.5 months).

You may also know that Mixbus is based upon Ardour, an open source DAW. I previously started a review with Ardour, and stopped due to some issues that made it not possible for me to work efficiently.

Clearly, as I’ve been using Mixbus 4.1/4.2, Ardour is up to the task of being used and I have been using it. According to my time sink logs I’ve spent about 60 hours in Ardour working on a project, and looking at the differences between the current version 5.12.

So I’m going to take a moment and give a very short review of Ardour and explain some differences from the Mixbus review I did. I won’t be covering all of the differences between Mixbus and Ardour, but I will cover what I feel is fairly important.

First check over the other posts I’ve written about Mixbus and Ardour.

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